CГline Dion All By Myself Official Remastered Hd Video
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Cheng explored two examples of the diegetic music affecting the gameplay experience in 2008's Fallout 3 both within the game and to the player at the game's controls, or diegesis. The first centers on a quest regarding the option of blowing up the city of Megaton with a nuclear bomb. The author noted his first repeated playthroughs of the game in 2010 and 2011 involved disarming the bomb instead, being given a modest reward by the residents of the city, and igniting the wrath of the city's antagonist.[261] A subsequent playthrough in 2012 explored the other option meeting the city's antagonizers, characters named Mr. Burke and Alistair Tenpenny. At this time, Cheng notes he was using a video game recording software to capture the gameplay as he planned to show the footage at future presentations regarding his paper.[262] He comments on how the physical action of the player pressing a button on a controller is directly reflected with pressing the remote detonator in the game to a point where this \"mimetic link\" was \"almost too close for comfort.\" The brilliant light of the mushroom cloud, the silence of the delayed sonic reaction suddenly combined with the music of Enclave Radio playing \"The Stars and Stripes Forever\" where the \"piece invokes the American nation in all its cultural and military pride.\" However standing before the \"Big Red Button\", Cheng noted it drew his attention to \"Mr. Tenpenny's embodiment of the Enclave's radical authority and extremist ideologies.\" Following the utter destruction of the distant city, Enclave Radio played \"America the Beautiful\" which made it \"made it all the more tasteless\" as if \"rubbing the noses of the departed in Mr. Tenpenny's triumph.\"[263] Cheng stated that this was the first time he turn the radio off, \"mostly out of tedium, maybe partly out of shame.\" Reviewing the recorded footage, Cheng remarked how he had pressed the button almost in sync with the closing of the march whether as a coincidence or \"preemptively obliged to put on a show for the eventual lecture audiences\". Whether theatrical or not, Cheng also notes it was the obedient thing to do where he had hesitated to press the button, but was compelled by the march as well as the gameplay. He wondered if he had been more or less likely to continue with the act if the radio was playing classical music or if it was turned off.[264] Cheng cites other examples of \"blame displacement\" in historical situations in addition to quotes from other players posted in online forums about this ethical dilemma taken from a moral standpoint vs. a pragmatic standpoint even as a simulated scenario.[265] In a footnote, Cheng gives an anecdote of presenting the Megaton gameplay at the Harvard Department of Music in 2011. After asking for volunteers from the assembled professors and graduate students to push the \"Big Red Button\", half the people in the room hesitantly raised their hands. The volunteer picked at random to set off the fictional bomb said she felt \"strangely guilty\" in front of her peers and professors \"even though the people [the Megaton residents] weren't real!\"[266]
In 2017, singer Dion DiMucci filed a lawsuit against video game publisher ZeniMax Media for the use of \"The Wanderer\" in the 2015 television commercials for Fallout 4. The lawsuit alleged the commercials \"were objectionable because they featured repeated homicides in a dark, dystopian landscape, where violence is glorified as sport\" as well as being \"repugnant and morally indefensible\". DiMucci invoked a clause that he wasn't given an opportunity to reject the ads and was seeking \"in excess of $1 million\" in damages for the association of his song with \"immoral images\".[294][295][296] In a subsequent editorial by Justin Woo, he noted that the descriptions of \"repeated homicides\" and the character \"hunting for victims to slaughter\" alleged in the lawsuit did not appear to match the official trailer which shows no images of murder or manslaughter against human beings. He notes there are other unofficial, but popular videos with \"2.8 million views[nb 110] [using] footage from original Zenimax / Bethesda-created commercials. It has a body count so high that I'm not even going to bother enumerating it\" and hypothesizes \"that someone, either DiMucci or a person acting on his behalf, went to Google up 'Wanderer' and 'Fallout' and found Valenzuela's video, thinking it was an official release from Zenimax\".[297] Arbitration was compelled in 2018 in Dion DiMucci v. ZeniMax Media Inc.[298][299] As of 2021 no further information about the lawsuit has come to light, but the original embedded video link to the trailer in the articles was made private and unviewable.[nb 111] 59ce067264